Robert Doisneau

Robert Doisneau (French pronunciation: [ʁɔbɛʁ dwano]; 14 April 1912, Gentilly, Val-de-Marne – 1 April 1994) was a French photographer. In the 1930s he used a Leica on the streets of Paris; together with Henri Cartier-Bresson he was a pioneer of photojournalism. He is renowned for his 1950 image Le baiser de l'hôtel de ville (Kiss by the Hôtel de Ville), a photo of a couple kissing in the busy streets of Paris. Robert Doisneau was appointed a Chevalier (Knight) of the National Order of the Légion d'honneur in 1984.


Robert Doisneau was known for his modest, playful, and ironic images of amusing juxtapositions, mingling social classes, and eccentrics in contemporary Paris streets and cafes. Influenced by the work of André Kertész, Eugène Atget, and Henri Cartier-Bresson, in over twenty books Doisneau presented a charming vision of human frailty and life as a series of quiet, incongruous moments.
“ "The marvels of daily life are so exciting; no movie director can arrange the unexpected that you find in the street." Robert Doisneau. ”
Doisneau's work gives unusual prominence and dignity to children's street culture; returning again and again to the theme of children at play in the city, unfettered by parents. His work treats their play with seriousness and respect. In his honour, and owing to this, there are several Ecole Primaire (Primary Schools) named after him. An example is at Veretz (Indre-et-Loire).
Robert Doisneau is one of France's best known photographers, for his street photography and the many playful images in everyday French life. His photographs over the course of several decades provide people with a great record of French life. He has published over twenty books with realistic and charming pictures of personal moments in the lives of individuals.


Doisneau's father, a plumber, died on active service in World War I when Robert was about four. His mother died when he was seven so he was then raised by an unloving aunt.
At thirteen he enrolled at the École Estienne, a craft school where he graduated in 1929 with diplomas in engraving and lithography. Here he had his first contact with the arts, taking classes in Figure drawing and Still life.
When he was 16 he took up amateur photography but was reportedly so shy that he started by photographing cobble-stones before progressing to children and then adults.

At the end of the 1920s Doisneau found work as a draughtsman (lettering artist) in the advertising industry at Atelier Ullmann (Ullmann Studio), a creative graphics studio that specialised in the pharmaceutical industry. Here he took an opportunity to change career by also acting as camera assistant in the studio and then becoming a staff photographer.